Showing posts with label greek revival. Show all posts
Showing posts with label greek revival. Show all posts

Wednesday, November 21, 2018

The 1846 Clinton Gilbert House - 12 West 10th Street


The addition of the fourth floor is evidenced in the change of brick color.
In 1845 attorney Augustus W. Clason, Jr. began construction on an upscale brick-faced house at No. 58 West 10th Street (until 1870's 10th Street addresses began at Sixth Avenue.  The house would then be renumbered No. 12.).   The residence, completed the following year, outdid most of its imposing neighbors through its exceptional 32-foot width.

Originally three stories tall, it sat above a brownstone clad English basement.  The floor-to-ceiling parlor floor windows sprouted exceptionally fine cast iron balconies, their delicate design incorporating stylized plant forms.  A lacy fringe ran along the bottom, dripping acorns.


Clason erected the house as an investment.  It was purchased by banker and importer Clinton Gilbert and his wife, the former Mary Stokes.  Born in 1816 near Washington Square, Gilbert was the son of silversmith George W. Gilbert (reputedly the first silversmith in New York City).   He and Mary, who were married on June 1, 1831, had no children.   They maintained a summer house in New Rochelle, New York.

Mary's widowed mother, Mrs. Thomas Stokes, lived with the couple.  Her grandson, Anson Phelps Stokes, described her in his 1910 Stokes Records as "a woman with delicate hands, fine complexion, large eyes, calm and gentle manners, and pleasant English voice."  She died in the house in 1849.

Clinton Gilbert started his career in the metal importing business, forming Stokes & Gilbert with brothers Benaiah and Henry Stokes, two of his wife's brothers.  By now his many titles included president of the Greenwich Savings Bank, a trustee of the Corporation of Greenwood Cemetery, and a partner in The Broadway Railroad.

It was most likely Gilbert's busy schedule that prompted him to skip grand jury duty on January 15, 1862.  The judge was not pleased.  The New York Times reported "The Grand Jury reported to the Court that they were unable to attend to business owing to the absence, without excuse, of several of their members."  Gilbert was fined $25--about $630 today.

Mary Stokes Gilbert suffered "paralysis of the throat" in her latter years, making her unable to speak.  Anson Phelps Stokes recalled that "On account of his wife's health, he afterward moved to a quieter part of Fifth Avenue."  She died on Tuesday, April 4, 1865.

Gilbert did not give up ownership of No. 12, and, in fact, by now owned No. 14 and No 20 West 10th Street.  An advertisement in The New York Herald in 1875 offered "To Let--Extra wide house, handsomely furnished, No. 12 West Tenth street; rent reasonable to good tenant."

Gilbert would die in No. 20 West 10th Street on November 29, 1891 at the age of 84.  The Rhodes' Journal of Banking noted "The greater part of his life was spent within a stone's throw of the house where he was born, and he died at his home in 10th street not far from the same place."

Before his death No. 12 had become home to Frederick Esler, head of the streetcar firm Metropolic Contract Company, and his wife.  The couple moved among polite society, rubbing shoulders with other wealthy visitors at fashionable resorts.  On October 14, 1887, for instance, The Evening World reported "Mr. and Mrs. Frederick Esler, who have been spending the summer at Seabright and Bar Harbor, have returned to their home at No. 12 West Tenth street."  A month later the newspaper noted "Miss Elanor Winslow will be entertained at luncheon on Thursday by Mrs. Frederick Esler, of 12 West Tenth street."

Around 1892 Dr. Walter Vought, a bachelor, purchased the house.  He would not enjoy it for long.  Vought selflessly treated patients suffering the worst of contagious diseases.  That year he was in charge of the Quarantine Station at Fire Island during a cholera epidemic.  On September 25, 1893 The New York Times reported that he "died at 11 o'clock yesterday morning in the New-York Hospital of typhoid fever, which disease he contracted while attending a little child about ten days ago."

In May 1894 the doctor's estate sold the property to Robert J. Fox for $31,000--about $911,000 today.  The sale triggered a rapid-fire turnover of ownership, ending with esteemed architect Bruce Price.  Before the family moved in Price made some substantial changes.

A full floor with a simple paneled cornice was added, the parlor windows were removed and replaced by a sizable copper-clad rounded bay, and the Greek Revival style entrance was changed to neo-Classical.

The double entrace doors with their wonderfully-eccentric brasses were Price's design.  photo via Sotheby's.com

He and his wife, the former Josephine Lee, had two children, including Emily, recently married to Edwin Main Post.  She would become a successful author of articles on architecture and interior design, five novels and serials in popular magazines like Harper's Weekly.   Her greatest fame came through her books on etiquette.

This 1910 photograph shows that Price's redesigned stoop originally had no railings.  from Stokes Records, 1910 (copyright expired)
Bruce Price was among the preeminent architects of his day.  Among his works were the cathedral in Savannah, Georgia, the Lee Memorial Church in Lexington, Virginia, and the cottages and clubhouse at Tuxedo Park (where the Prices had their summer home).  So when rumors circulated that the largest hotel in the world--backed by "Vanderbilt interests"--would cover the entire block between Park and Madison Avenues and 41st to 42nd Streets, reporters went to No. 12 West 10th Street to verify the story.

On the night of December 15, 1897 he opened his door to a New-York Tribune journalist.  The reporter wrote "Mr. Price stated explicitly that so far as he knew there was no such project in contemplation."  However, he would not turn down the job.  "'I should be only too happy,' he said, 'to be commissioned to draw up plans for a monster hotel.'"

Price's niece, Sadie Price Pell, divorced her wealthy insurance broker husband, Archie H. Pell, in Saratoga in the summer of 1902.  The daughter of Price's brother, Benjamin, she soon announced her intentions to marry Dr. Percy R. Turnure.  Following their marriage in the Church of the Ascension on Fifth Avenue, a reception was held in the 10th Street house.

Bruce and Josephine were traveling in Paris on May 29, 1903 when the architect died at the age of 57.   In May 1906 Charles Buchanan purchased No, 12; who resold it by 1914 to Felix Lamond.

Lamond was a renowned organist.  Not only was he organist of fashionable Trinity Chapel, he was the director of the Trinity School of Church Music, a training school for organists, choirmasters and choristers.  Additionally, he was one of the organizers of the New York Oratorio Society.

The Lamonds' daughter, Marjorie, was educated both in New York and in Europe,  She had been introduced to society in 1912 and was traveling with her parents in Europe on August 1, 1914 when her engagement to Henry Fairfield Osborn, Jr. was announced.

The family did not return to New York for the wedding; instead the groom and his family (described by The Sun as "one of the most prominent families in the city") went to London.  The original plans were for a Paris wedding, but, as explained by The New York Times on September 9, 1914 "when the war began it was decided to wait until the party reached London."  The destination wedding, held in Westminster Abbey, was attended by prominent New Yorkers like Mr. and Mrs. J. P. Morgan.

Shortly after Marjorie's wedding No. 12 West 10th Street became to Henry Wood Flournoy.  His wife's niece, Alice Gertrude Gordon (who often went by her middle name), lived in Washington; but the couple kept a room available for her visits to New York.  The arrangement would draw the house into the history books.

When Gertrude's father, General J. J. Gordon died, he left her what The Evening World termed "a large fortune."  Gertrude's best friend was the widowed Edith Bolling Galt.  The two were virtually inseparable, seen at entertainments and the theater together both in New York and Washington.  Gertrude's prominence in Washington society was evidenced on May 6, 1914 when The New York Times reported "President Wilson, who frequently seeks relaxation after an arduous day at one of the local theatres, varied his custom to-night by attending the circus, accompanied by Miss Margaret Wilson, Miss Helen Woodrow Bones, Miss Gertrude Gordon, and Dr. Cary T. Grayson."

In the fall of 1915 both Gertrude and Edith Galt were staying in the Flournoy house.  On November 28 a prestigious caller arrived.  The New-York Tribune reported "Woodrow Wilson set down his Presidential burden last night on the door-mat of an unpretentious red brick house in West Tenth Street, Just off the avenue.

"The door opened to his ring and closed behind him--and then for more than two hours, while secret service men, detectives, reporters and plain hoi polloi awaited the reappearance of the President, Woodrow Wilson, the human being, the accepted suitor, enjoyed the companionship of the woman who is to become his wife."  Reportedly, it was in the Flournoy home that the President had recently proposed marriage to Mrs. Galt.

No. 12 became the focus of press attention.  On November 30 The Times reported "Yesterday was a busy day for Mrs. Norman Galt, the fiancee of President Wilson.  From early morning until sundown she kept appointments with her dressmakers, furriers, and milliners...Mrs. Galt left the home of her friend, Miss Gertrude Gordon, at 12 West Tenth Street, about 9 o'clock."

Despite nasty rumors that the President and his fiancée had murdered his wife, Ellen, the couple was married on December 18, 1915.  But the presidential couple would return to No. 12 West 10th Street at least one more time.



The following year, on May 24, Gertrude married White House physician, Dr. Cary T. Grayson in St. George's Chapel.  The First Lady stood by the bride's side and held her bouquet.  Witnessing the ceremony with the President, were Secretary of the Treasury, William Gibbs McAdoo, and his wife.  Outside around 300 people gathered in the park to get a glimpse of the distinguished persons entering and leaving the church.  Three years later The Sun mentioned "It was very much of a White House wedding, even though the ceremony was performed in New York."

Afterwards a reception was held at No. 12 West 10th Street.  The wedding cake was a gift of the Wilsons, who attended the "informal reception."  The Times noted "Gifts were received by Dr. Grayson and his bride from the President and Mrs. Wilson, members of the Cabinet, Senators, Representatives, many Government officials and employees at the White House."

Following the Flournoy's leaving, around 1919, the house was converted to two residences, the homes of Mr. and Mrs. Herbert S. Houston and Mrs. and Mrs. William Ransom Barbour.  The Houstons remained at least through 1930; by which time Harris Baldwin Fisher and his family had moved into the former Barbour apartment.

In 1928 the lower level was converted to the Poetry House.  On June 8 that year The New York Times remarked "Pegasus went in dinner jacket and gleaming white shirt to the formal opening last evening of Poetry House, a meeting place for poets and all lovers of literature, at 12 East Tenth Street."

A renovation in 1958 resulted in two apartments in the basement, where Poetry House had once been, one on the first floor, and two each on the upper floors.  Among its more celebrated residents was Isabel Lydia Whitney, the renowned water colorist and muralist.  Upon her death in her apartment on February 1962 The Times called her "the first woman in America to stand on a scaffold or ladder and do fresco painting."  Among her works was the fresco for the 1925 wing of the Brooklyn Museum.

No. 12 West 10th Street never truly declined.  When cosmetics creative directors Richard Ferretti and James Gager sold their 2,200-square-foot apartment in December 2015, it commanded a price of $5.75 million.
photo via city realty. com
And while most of the interior details have been removed over the decades, some, like the entrance staircase, survive.  Outside the 1890's remodeling by Bruce Price remains little changed.

photographs by the author

Monday, October 22, 2018

The Lost 1826 2nd Congregational Church - Prince and Mercer Streets


Architect and artist Alexander Jackson Davis created this rendering around 1830.  from the collection of the New York Public Library

Unitarianism, which arrived in the United States around 1800, was not well received by mainstream Christians.  The Unitarians rejected the concept of the Holy Trinity, believing that God was a single entity.  Jesus, therefore, while a savior, was not a deity.  The tenet caused most Christians to view the group with suspicion, if not outright hostility.  In fact until 1819 Unitarianism was practiced mostly in secrecy.

In 1820 construction of the First Congregational Church, on Chambers Street, was begun.  Despite the denomination's challenges, only five years later a Second Congregational Church was planned about a mile to the north, at the corner of Prince and Mercer Streets.  Decades later, in 1892, King's Handbook of New York City explained "The parish was formed in 1825 by a few members of the older Chambers-Street society."

The new congregation chose well-known architect Josiah R. Brady to design its building.  Brady worked almost exclusively in ancient classic styles; even in his domestic commissions.  His magnificent mansion for the Anderson family in Throgg's Neck, New York, for instance, took the form of a noble Greek temple.  The same would be true for the Second Congregational Church.

The cornerstone was laid on November 24, 1825 by William Ware, the minister of the First Congregational Church.  A plaque was laid inside the stone which read:

The Second Congregational Unitarian Church
in the City of New-York;
Erected by Public Subscription.
This Stone laid with Religious Ceremonies,
November 24, 1825.
To us there is one God, the Father, and one Lord Jesus Christ.
I.Cor.8.6.

The building, 63 feet wide and 80 feet long, was completed almost exactly one year later.  Brady's Greek Revival design took inspiration, in part, the Choragic monment of Thrasyllus at Athens.  Four massive Doric columns fronted the recessed entrance and supported the Grecian pediment.  The Christian Examiner explained that the "entablature is without blocks or triglyphs" in keeping with the Chroagic monument.  "The walls and columns are of brick covered with cement in imitation of marble."  The broad entrance steps were of granite.

The Choragic monment of Thrasyllus partly sparked Brady's creative muse.  from the collection of the Smithsonian Institution
The Christian Examiner went on to describe the interiors, which it deemed "beautifully arranged."  The main floor held 132 pews, and the gallery-organ loft had another 24.  "The pulpit is of a pedestal form, with a pedestal and balustrade on each side.  The whole is correct in proportion, chaste and neat in design and execution."

from the collection of the Museum of the City of New York
The church was dedicated on Thursday, December 7, 1826.  The Christian Examiner reported that "At an early hour the house was thronged."  Rev. Ware returned to give the consecrating prayer; but the sermon was delivered by the Rev. William Ellery Channing, a founder of American Unitarianism.  His sermon, which extended for an hour and a quarter, wore even wore out.  The Christian Examiner noted, "it was regretted that the failure of the preacher's strength compelled him to omit some interesting topics of illustration."

Entitled "Unitarian Christianity Most Favourable to Piety," the sermon was later published as a 40-page booklet.  The Christian Examiner remarked "It has been pronounced the noblest production of the very pure and original mind which composed it, and was delivered with an effect which will never be forgotten by those who heard it."

Its ample property allowed the Second Congregational Church to have a burial ground.  Following the construction of the Third Universalist Church, on crowded Grand Street, the two congregations shared the graveyard.

On Sunday, April 5, 1829 Stephen W. Bailey, a member of the Live Oak Fire Engine Company No. 44 was overcome while fighting a blaze.  The 24-year old "was seized with an apoplectic fit, doubtless induced by over exertion, while in the faithful discharge of his duty as a fireman," as reported by The Gospel Herald and Universalist Review on April 11.  A member of the Third Congregational Church, the young firefighter died that night.  After his impressive funeral in the Third Universalist Church two days later, "he was conveyed to [the] Prince street Church, and interred in one of the vaults," reported the periodical.

from the collection of the New York Public Library
The congregation faced a crisis beginning in 1825.  Rev. Abner Kneeland was invited in a "summer pulpit exchange," but the visit turned into a permanent position.  The congregation was unaware of Kneeland's rocky past within the Universalist movement.  His ever-changing theology and radical opinions had shaken even the New England Universalist General Convention.   A line from one of his many hymns read, for instance,

As ancient bigots disagree,
the Stoic and the Pharisee,
so is the modern Christian world
in superstitious error hurl'd

According to the Dictionary of Unitarian & Universalist Biography, "Kneeland did not tell the congregation the extent of the transformation in his thinking until early 1827, when full disclosure of his theological opinions divided the church in two."  

Jonathan Greenleaf, in his 1846 A History of the Churches, of All Denominations, in the City of New York, was brutally direct.  He wrote that the Rev. Nehemian Dodge "was succeeded by the celebrated Abner Kneeland, whose impious ravings soon scattered the congregation."

Kneeland left in 1827, taking his supporters from the congregation to form the Second Universalist Society.   Later Illinois Universalist minister Clinton Lee Scott called Kneeland "the most controversial character ever ordained to the Universalist ministry," and the Dictionary of Unitarian & Universalist Biography said "Ultimately he was led beyond Christianity."  Kneeland eventually was convicted of blasphemy in Massachusetts.

The ministers of the Second Congregational Church were paid adequately, but their salaries were by no means as lavish as those of the rectors of Manhattan's most fashionable churches.  Following Rev. Orville Dewey's sermon on "The Moral Importance of Cities and the Moral Means for their Reformation" on June 5, 1836, the congregation was invited to stay over to discuss the salary of the "minister at large."  The $2,850 agreed upon would equal about $77,500 per year today.

Tragedy struck the following year when fire tore through the structure, destroying it.  Rather than built on the old site, the congregation acquired a plot at Nos. 728-730 Broadway, near Waverly Place.  When that building was dedicated in 1839, the congregation changed its name to the Church of the Messiah.

The corner of Prince and Mercer Streets today.